‘Red Hot Patriot: The Kick-Ass Wit of Molly Ivins’: My Q. & A. with playwright Margaret Engel
A black mongrel dog scampers across the stage, “dragging a leash and a canoe paddle.”
Her owner yells for the dog by her proper name, “Shit”—an ever-handy expletive for a Texas oilman’s red-headed daughter, grouchy about the status quo.
This is the populist journalist Molly Ivins at home, in a new play by Margaret (Peggy) Engel and her sister, Allison. With the blessing of the Ivins estate, the twins have deftly stitched together an Ivins soliloquy from her actual writings.
Ivins wrote best-selling books and syndicated columns and fired up hundreds of young reporters, only to die of breast cancer in 2007 at 62. But if Kathleen Turner’s acting is as good as the script I read the other day, even Molly’s barefoot ghost might have to double-check the death certificate.
The play’s debut, March 19 through April 18, is in Philadelphia. Ahead is an edited email interview with Peggy Engel (right in photo by Mark Berndt), former Washington Post reporter, ex-managing editor of the Newseum and long-time director of the Alicia Patterson Foundation. Peggy and I have been friends for decades, starting with her first newspaper job in Lorain, Ohio, near Cleveland. Peggy now lives in Bethesda, Maryland; Allison, in Los Angeles, where she is director of communications at the University of Southern California.
Q. Tell us more about who Molly was. Which other writer, dead or alive, was she most like in her humor and some other respects? Admirers say Ambrose Bierce or even Mark Twain.
She was hilariously funny. She was so smart and her wit just sparkled. She was a combination of Bierce and Twain and Will Rogers, with some of that caustic humor that Ann Richards possessed.
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