The Solomon Scandals A Washington newspaper novel by David Rothman

19Aug/100

‘6 great novels that were hated in their time’: Hope for overlooked novelists and brave readers

image What do The Lord of the Rings Tril­ogy (one book shown), Moby-Dick, The Catcher in the Rye, Lord of the Flies, The Grapes of Wrath and Brave New World have in common?

Lit­er­ary crit­ics hated them.

So, at least, says Jacopo della Querci’s Cracked piece—must read­ing for brave read­ers and over­looked nov­el­ists alike. Here’s the low­down on the recep­tion befalling The Lord of the Rings Tril­ogy:

“The rea­sons for Tolkien’s neg­a­tive feed­back were numer­ous, not the least of them being that he was a career lin­guist, not a pro­fes­sional writer. The New York Times described Tolkien’s writ­ing as ‘high-minded’ and ‘death to lit­er­a­ture itself.’

“The New Repub­lic described the book and its char­ac­ters as ‘ane­mic, and lack­ing in fiber’ which was appar­ently a real burn back then in the pre-Cheerios days. Even heavy­weights like Isaac Asi­mov weren’t sold by the book’s whole indus­try ver­sus the envi­ron­ment mes­sage, retort­ing that moder­nity ‘or per­haps the mod­ern world… wasn’t all bad.’

“Hell, not even Tolkien’s friends were all that big on it. Tolkien had to stop read­ing sam­ples of the book to them on account of neg­a­tive feedback/hurt feel­ings. One mem­ber of Tolkien’s cir­cle, Hugo Dyson (H.V.D. Dyson in geek) once famously moaned from a sofa dur­ing one read­ing: ‘Oh, fuck! Not another elf!’

How about Brave New World? “Even fel­low futur­ists like H.G. Wells were shocked by the book’s dystopian land­scape. Despite being the same man who wrote War of the Worlds, Wells describe Brave New World’s bleak future as ‘a betrayal.’ As for the book’s more for­get­table crit­ics, i.e. every­one else, responses ranged from dis­missal to child­ish name-calling.”

Now here’s a ques­tion. If even crit­ics can’t get these things right, just what are the impli­ca­tions of the above in an era when Ama­zon and many other book-related Web sites rely so heav­ily on the opin­ions of civil­ians? Per­haps it doesn’t mat­ter, since the read­ers are rat­ing books for each other, not pos­ter­ity. Or does it? Mean­while I think it’s tragic that Kil­gore Trout is only imag­i­nary and Kurt Von­negut is dead. I’d love their opin­ions on these matters.

Detail: “Jacopo della Querci” is appar­ently a pseu­do­nym? Note the sim­i­lar name of an Ital­ian Renais­sance sculp­tor.

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4Jun/090

The Jonathan Stone-David Rothman Q. & A.

Jonathan Stone, the reporter in The Solomon Scan­dals, grilled me for this Q. & A.—uncut.David Roth­man

image STONE: Why’s Scan­dals copy­righted in your name? Those are my news­pa­per memoirs.

ROTHMAN: Er, faux mem­oirs. With­out me, you wouldn’t even have been born…or have worked for the Wash­ing­ton Telegram…or have strug­gled to avert an IRS-CIA build­ing collapse…or lived through those quirky sex scandals…or the cor­rup­tion and black­mail from the Oval Office…or the gos­sip columnist’s suicide…or the death of the shark­like edi­tor in a car bombing…or your Hol­ly­wood direct­ing career or—

STONE: Thanks, but I’ve already read my book. Now what about the talk­ing Afghan Hound at the Cos­mos Club? Sure it doesn’t detract from my dignity?

image ROTHMAN: But you’ve been dead for decades. Scan­dals is set mainly in the 1970s, but looks far beyond—via reflec­tions from your great-grand niece at the Insti­tute for Pre­vir­tual Stud­ies. Besides, Afghans are dig­ni­fied. I didn’t put this detail in the book, but Thack­eray II speaks in a won­der­ful bari­tone with a mid-Atlantic accent. I wish he could do my radio inter­views for me.

STONE: For late­com­ers, who’s this guy Solomon? And what’s he doing on my book cover with a build­ing in his hand?

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29Mar/091

‘Indignation,’ by Philip Roth: A belated review

image Although ver­bose in places, Indig­na­tion is witty and engross­ing with won­der­ful caricatures.

I spent time in North­ern Ohio eons ago, not that far from some of Sher­wood Ander­son’s old haunts, and I enjoyed Philip Roth’s depic­tions of the myth­i­cal Wines­burg Col­lege. Roth lives up to his rep­u­ta­tion with hilar­i­ous attacks on both Jew­ish moral­ists and the Waspy mid­west­ern variety—blended in with the protagonist’s libido-and-ego-driven fond­ness for defy­ing them.

What’s more, I enjoyed Roth’s clever use of the bleed­ing motif. Those who’ve read Indig­na­tion will know exactly what I mean; Mar­cus Messner’s story is not for read­ers who shy from the sight of blood. Fit­tingly, Marcus’s father is a butcher intent on con­trol­ling the boy’s life; quite unin­ten­tion­ally and indi­rectly, through the events depicted in the novel, he kills his own son.

And one other lit­tle detail: Mar­cus is dead or near-dead at the start of the story. No, my reveal­ing this is not a spoiler; other review­ers have, too. You’ll still want to know the his­tory that lead to Marcus’s cur­rent con­di­tion, and like me, you may be so caught up in Indig­na­tion’s plot and char­ac­ter­i­za­tions that you really won’t care that he is already a corpse. I used a some­what sim­i­lar tech­nique when I wrote The Solomon Scan­dals, my Wash­ing­ton news­pa­per novel—starting Chap­ter One with the sui­cide of one of the jour­nal­ists, at the Water­gate. The “Why?” counts as much as, “What’ll happen?”

For rea­sons that I won’t dis­cuss here, lest I do spoil things, Indig­na­tion should espe­cially appeal to those who came of age dur­ing the Viet­nam era–even though Korea is the war of the moment.

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21Dec/080

‘Solomon Scandals’ goes on sale now as e-book; January delivery in trade paperback

imagePsst! Advance promo copies of The Solomon Scan­dals are on sale now in e-book for­mat (retail $5.95 USD). Twi­light Times Books is also tak­ing advance orders for First Edi­tions in trade paper­back (retail $16.95 USD). The paper­backs will ship in Jan­u­ary 2009. These are “pre-release pro­mo­tional copies.” Twilight’s phone num­ber is 423–323-0183, and other order­ing infor­ma­tion is ahead.

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29Nov/080

Scandals’ origins

image Blame The Solomon Scan­dals on my lack of ESP. Oh, to have read the minds of the peo­ple whose lives and deeds helped inspire the novel!

Just why did the late Sen. Abra­ham Ribi­coff end up with a $20,000 invest­ment in a build­ing that the CIA moved into? What were Ribi­coff and friends really think­ing and doing in pri­vate, and how much did he know? Why didn’t the GSA lease list the part­ners in the build­ing as required by law?  And how come his name was hid­den from the pub­lic? Was it really because of the fear that peo­ple would bother a sen­a­tor about about leaky faucets?

Damn if I knew the full story. A novel seemed the right medium, then—a chance to fill in the gaps even though I nor­mally wrote nonfiction.

Yes, hints abounded in doc­u­ments and care­ful pub­lic state­ments. I recalled some tan­ta­liz­ing facts about Ribicoff’s “close friend” Charles Smith—the king of the GSA land­lords, whose com­pa­nies held $150 mil­lion in gov­ern­ment office leases in 1975. Smith was not just any old real estate tycoon. He had a num­ber of famous friends and investors in gov­ern­ment or non­govern­ment projects. They ranged from Art Buch­wald to at least sev­eral fed­eral judges and exes, includ­ing for­mer Supreme Court Jus­tices Abe For­tas and Arthur Gold­berg. But for the most part, the names on the part­ner­ship papers were just that, noth­ing more. They didn’t tell me any­thing about the par­ties or fam­ily cel­e­bra­tions or other occa­sions where Smith might have hooked up with his friends. While I could guess what mainly drew Smith and Ribi­coff together—both were ambi­tious self-made men, Ribi­coff hav­ing even worked in a zip­per and buckle fac­tory at one time—that was far from a com­plete explanation.

Early on I wrote some­what in a new jour­nal­ism vein, but the results fell short of what I wanted, because I lacked the req­ui­site infor­ma­tion about the Smith-Ribicoff crowd and their actual thoughts, along with other details. The result was that I saw this not just as a con­ven­tional inves­ti­ga­tion but also a novel, with an oppor­tu­nity to imag­ine, in fic­tion iden­ti­fied as such.

The pos­si­bil­i­ties grew more intrigu­ing after I learned, through Jim Polk, the inves­tiga­tive jour­nal­ist, that the Ribicoff-linked Key Build­ing had housed some CIA offices. A sce­nario occurred to me. In part, couldn’t Sy Solomon’s real estate empire be a vehi­cle for agency-related invest­ments? Per­haps along the way his peo­ple could oblig­ingly plant hid­den micro­phones in his build­ings to let the CIA spy on other bureau­cra­cies. As a nov­el­ist, I could even cook up some mur­der­ous rival­ries among dif­fer­ent fac­tions of spook­ish busi­ness people.

Noth­ing against new jour­nal­ism, truly well executed—in fact, it’s more ardu­ous than con­ven­tional report­ing. But in this case fic­tion seemed the best way to go in writ­ing up the human side of the story. While I pub­lished news arti­cles, I was really look­ing ahead to fictition.

I wrote the novel, on and off, over a period of more than 30 years. The title, orig­i­nally The Golden Lease, evolved into The Cover-Up, then The Solomon Scan­dals. Back in the 1980s I had a near-sale to Warner Books, but luck­ily Warner turned me down, giv­ing me time to do exten­sive rewrites and add a fram­ing device. That is, the main plot of the book is pre­sented between the fore­word and after­word writ­ten in the late 21st cen­tury by the direc­tor of the Insti­tute for Study of Pre­vir­tual Media.

Work­ing on Scan­dals, I felt thor­oughly time-warpy; I bounced back and forth as if I were Billy Pil­grim in Slaughterhouse-Five. My writ­ing tools changed over the years from an old elec­tric type­writer to a Kaypro II, then a whole series of other giz­mos, lead­ing up to my present sys­tem, a cheapie Hewlett-Packard desk­top with many times the com­put­ing power of my first machine.

Luck­ily for me, in terms of the con­tin­ued news­wor­thi­ness of this novel, Wash­ing­ton so far has remained reli­ably cor­rupt. How many other towns have even had scan­dals tours over the years? Ide­ally The Solomon Scan­dals can help you under­stand the scoundrels whose deeds and mis­deeds inspired the tours.

Image credit: Cre­ative Com­mons–licensed photo from Grunt­zooki, aka Cory Doc­torow. Cap­tion reads, “ESP off but­ton dis­ables pre­cog pow­ers in rental Volk­swa­gen, Lon­don, UK.”

Related: Scan­dals’ ori­gins as dis­cussed in a Writ­ing Show inter­view with Paula Berin­stein in June 2009.

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